(b. 14 May 1969, Bucharest).
Romanian composer of mostly orchestral and chamber works that have been performed throughout Europe and elsewhere.
Ms. Anghel studied analysis with Adrian Iorgulescu, composition with Octavian Nemescu, harmony with Adrian Rațiu, musicology with Octavian Lazăr Cosma, and orchestration with Nicolae Beloiu at the Universitatea Națională de Muzică București, where she graduated in 1996 and earned her MA in composition in 1997 and PhD in composition in 2003.
Among her honours are First Prize in the competition of Radio România (1998, for Mondes Impossibles I), three prizes from the Uniunea Compozitorilor și Muzicologilor din România in Bucharest (1998–99, 2002) and the Premiul from the Fundația Națională pentru Știință și Artă in Bucharest (1999). In addition, her Mondes Impossibles I represented Romania at the UNESCO International Rostrum of Composers and earned a recommendation (1999). She has also earned Second Prize in the competition for glass harmonica Thomas Bloch in Paris (2000, for Glassrope), a creation grant from the Pépinières Européennes pour Jeunes Artistes (2000, for Chimères – perspective magrittienne), a residency in Belgium (2000), and a creation grant from the Ernst von Siemens Musikstiftung in Munich (2002, for Labyrinthe II). She received the Uchimura Prize from the International Theatre Institute/UNESCO (2002, shared with the creative team of The Bloodied Lovers), the prize of the journal Actualitatea muzicală in Bucharest (2003, for her work with Pro Contemporania), the Camajani Fellowship from New York University (2003, to lecture there), and the International New Music Consortium Award in New York, New York (2003, for her work in all areas of new music). Her music has been performed in Albania, Belgium, France, Germany, Greece, Israel, Italy, Japan, Moldova, the Netherlands, Poland, Romania, Sweden, Switzerland, and the USA.
Ms. Anghel is also active in other positions. She founded the ensemble Pro Contemporania in Bucharest in 1990, in which she plays numerous instruments. She has served as its artistic director since 1990. She has been active as an improviser since 2003, primarily with musicians from different genres. Moreover, she has been a researcher at the Institutul de Istoria Artei George Oprescu in Bucharest since 1994 and has served as editor of the review Muzica in Bucharest since 1996. She has also written the book Developments, Ways and Trends in Romanian Music during the Second Half of the 20th Century (1997, Editura Muzicală). In addition, she served as assistant director of the International Week of New Music Festival in Bucharest in 2003 and founded the crossover festival MultiSonicFest in Bucharest in 2004, serving as its artistic director since 2004.
She is married to the cellist and composer Andrei Kivu.
COMPLETE LIST OF WORKS (dates unavailable)
STAGE:
The Bloodied Lovers (incidental music, play by Chikamatsu Monzaemon)
La Dissolution de la Persistance de la Mémoire (incidental music for a poetry/theatre show), shamisen (3-string lute from Japan), cello, piano, organ, singing bowls (+ tam-tam)
A View from the Bridge (incidental music, play by Arthur Miller)
ORCHESTRAL:
Chimères – perspective magrittienne, cello, percussion, string orchestra
Distances, 2 trumpets, harpsichord, percussion, string orchestra
Labyrinthe II, player (shofar, khene [mouth organ from Laos], dungkar [horn from Tibet], tromba lontana, zheng [zither from China], cello [with scordatura], accordion, singing bowls), small orchestra
Mondes Impossibles I
Music for Vasarely
The Myth of Sisyphus
Rhinoceros
La Tour de Babel
CHAMBER MUSIC:
Arrêts, violin, cello, accordion, fixed media
La Caverne de l'Âme, cello, percussion
Divers(ion), contrabass saxophone
Divers(ion) II, contrabass saxophone, violin, viola, cello, piano
Electro-Transe, electric guitar, cello (+ sampler), live electronics
ElEnigmes I, electric guitar, fixed media, live electronics
ElEnigmes II, electric guitar, cello, bass guitar, fixed media, live electronics
Entre le Ciel et l'Enfer, oboe, clarinet, bassoon, violin, cello, piano, percussion
Ephemeral Equilibrium, bassoon
Ethereal Beauty, zheng, accordion, live electronics
Everything and Nothing, viola (+ harmonica)
Fascination I, zheng (+ khene), cello (+ khene), fixed media
Fascination II, bass flute, zheng (+ khene), cello (+ udu [percussion instrument from Nigeria]), fixed media
Frontiers, bass flute, zheng, violin, piano (+ toy piano, accordion, percussion), fixed media, live electronics
Für Elise String Quartet, string quartet
Glassrope, glass harmonica, fixed media
Images flottantes, flute (+ shofar, khene, daf [frame drum from the Middle East]), accordion
Irresistible, kalimba (thumb piano from Africa) (+ percussion), berimbau (musical bow from Brazil) (+ percussion), fixed media, live electronics
Irresistible II, kalimba, ensemble (flute, clarinet, trombone, violin, 2 percussion), live electronics
Miró en Miroir, flute
La Persistance de la Mémoire, violin, viola, cello, organ, accordion, 4 percussion
Le Quasi-Infini I, 2 flutes, violin, viola, accordion
Le Quasi-Infini II, shō (mouth organ from Japan), 2 flutes, violin, viola, accordion
Rotations bizarres, 6 bassoons, cimbalom
Silhouettes fantomatiques I, 2 cellos, percussion
Silhouettes fantomatiques II, viola, cello, percussion
Silhouettes fantomatiques III, cello, double bass, percussion, fixed media
Sonata, cello
Sous-conversations, clarinet, trombone, violin, piano
Story of the three who dreamed I, clarinet (+ bass clarinet), violin (+ viola), piano
Story of the three who dreamed II, clarinet (+ bass clarinet), cello, piano
Toys R Us, toy piano (+ harmonica, toy marimba, percussion toys), kalimba (+ sampler), live electronics
Visions provoquées par un mystère, cello, piano (+ khene, percussion), fixed media
CHORAL:
Assemblages (text from words in an invented language), 24 mixed voices
VOCAL:
Electric Muse (vocalise), voice, piano (+ MIDI-keyboard, laptop), live electronics
Timeless (vocalise), 2 voices, live electronics
PIANO:
Metablues
MULTIMEDIA/PERFORMANCE:
Hypnotic Visions, fixed media, film (by the composer)
DISCOGRAPHY
Mondes Impossibles I. Ludovic Bács/Orchestra Națională Radio (Editura Muzicală: EM 008, 2000)
Fascination II. Pro Contemporania (Association of Romanian Women in the Arts/Editura Muzicală/Star Media Music: 007, 2003)
Labyrinthe II. Andrei Kivu, shofar, khene, dungkar, tromba lontana, zheng, cello, accordion, singing bowls; Szymon Bywalec/Orchestra Națională Radio (Radio România: 118, 2004)
Le Quasi-Infini I. Partita Radicale (Edition Pro Viva: ISPV 193, 2004)
Frontiers. Pro Contemporania (PFAU-Verlag: Europäische Meridiane – Neue Musik Territorien. Reportagen aus Ländern im Umbruch [2 books with 2 CDs], 2004)
Electro-Transe. Pro Contemporania (Editura Muzicală/Star Media Music: 037, 2005)
Miró en Miroir. Ion Bogdan Ștefănescu, flute (Gutingi: 233, 2005)