(b. 1961, Amsterdam).
Dutch composer of mostly stage and chamber works that have been performed throughout the world; he is also active as a violinist.
Mr. Bollen studied violin privately with Jan Bor in Amsterdam from 1967–72 and with Herman Krebbers at the Conservatorium van Amsterdam from 1972–79. He later studied composition with Joep Straesser at the Utrechts Conservatorium in Utrecht in 1987 and with Gilius van Bergeijk, Theo Loevendie and Klaas de Vries at the Koninklijk Conservatorium in Den Haag from 1989–93. He has also attended masterclasses in Poland and the UK, as well as a workshop on the classical music of southern India with Janhavi Jayaprakash in Amsterdam in 1998.
Among his honours as a violinist is Third Prize in the competition Oscar Back in Amsterdam (1970). As a composer, he and the HEX Ensemble received two invitations to attend the International Music Forum in Kiev (1995–96). His works have been performed in Australia, Brazil, France, Germany, Indonesia, Italy, Japan, the Netherlands, New Zealand, Poland, Russia, Ukraine, and the USA.
As a violinist, he has primarily performed his own music and works by contemporary composers. In addition, he played with the techno ensemble Seafood in 1998.
He is also active in other positions. He co-founded with his wife, the composer Alison Isadora, the HEX Ensemble in Amsterdam in 1991 and has served as its artistic director and manager since 1991. He often collaborates with choreographers, including Ross Cooper from the Curve Dance Company in Edinburgh and Keith Derrick-Randolph from the Scapino Ballet in Rotterdam.
He has taught music theory and violin privately in Amsterdam since 1985. He taught at Outside Art Drenthe in 1995–96 and has lectured on electronic music and violin at the Utrechts Conservatorium since 1997. In addition, he has given guest lectures in New Zealand, Poland, Russia, and Ukraine.
His publisher is Donemus.
SELECT LIST OF WORKS
STAGE:
Die Turm des Empedocles (music-theatre work, text by Cees Nooteboom), male voice, MIDI-grand piano, sampler, 1994
Mana (ballet in 2 acts), voice, 3 female speakers, 9 dancers, bağlama (lute from Turkey), piano (+ sampler), tablā, drum kit (+ sampler), gamelan, 2001
Born and Bred (music-theatre work), live electronics, live image-processing, 2001 (collaboration with Alison Isadora)
The Deep South (music-theatre work), live electronics, live image-processing, 2002 (collaboration with Alison Isadora)
ORCHESTRAL:
Dokadans, piano, small orchestra, 1994
CHAMBER MUSIC:
On Freedom and Architecture, clarinet, violin, 2 violas, double bass, accordion, 1990
De Sprong, baritone saxophone, tuba, violin, double bass, percussion, 1991
Étude II, violin, 1991
Vacuum/Lament (in memoriam Olivier Messiaen), violin, piano, 1992
Étude IV, 'Unstable, Artificial', cello, 1992
PTOOMA, flute (+ piccolo), clarinet (+ bass clarinet), alto saxophone, baritone saxophone, 2 French horns, trumpet, trombone, tenor-bass trombone, tuba, electric guitar, bass guitar, piano, percussion, 1993
Nastay (Étude V), electric guitar, 1997
Tube, quarter-tone flute (tuned to Kingma System), percussion, 1997
Zoab, 8 players, DJ, 1997
Bug, flute (+ piccolo), clarinet (+ bass clarinet), alto saxophone, baritone saxophone, 2 French horns, trumpet, trombone, tenor-bass trombone, tuba, electric guitar, bass guitar, sampler, percussion, 1999
Time Flexor, flute, bass clarinet, piano, live electronics, 2000
Softloader, flute (+ piccolo), 2 clarinets, 3 saxophones, French horn, 3 trumpets, 2 trombones, bass trombone, bass guitar, piano (+ sampler), 2001
Pusher, Tacker, MIDI-violin, synthesizers (1 player), sampler, 2001 (collaboration with Alison Isadora)
VOCAL:
Bauh I–III, countertenor, bass, harpsichord, 2 percussion, fixed media, 1991
Hammer (text by Friedrich Nietzsche), mezzo-soprano, fixed media, 1993
Ah, Sweet Mysteries of Life (text by Richard Huber), voice, synthesizers (1 player), sampler, 2001 (collaboration with Alison Isadora)
PIANO:
Étude I, 1991
Slants, 1991
Das Nervöse Wohltemperierte Disklavier, MIDI-grand piano, 1992
Inner Mobiles, 2000
ELECTROACOUSTIC:
Sync, fixed media, live electronics, 1995
Looking for Peter, fixed media, 1996
De Karmellenberg, fixed media, 1998
MULTIMEDIA/PERFORMANCE:
The Big Shop, 1998 (collaboration with Alison Isadora)
In Situ, fixed media, film, 2000
It Was a Sunday (text by Alison Isadora), MIDI-violin, synthesizers (1 player), sampler, live electronics, film, 2001 (collaboration with Alison Isadora)
Kokako, live electronics, film, 2001 (collaboration with Alison Isadora)
DISCOGRAPHY
Bauh I–III. Antoon Bekken, countertenor; Kees Jan de Koning, bass; Riko Fukada, harpsichord (Philips Records)