THE LIVING COMPOSERS PROJECT  

Neville Hall

(b. 1962, Wellington).

New Zealand composer, now resident in Slovenia, of mostly orchestral and chamber works that have been performed in Europe and elsewhere.

Mr. Hall studied composition with John Elmsly and John Rimmer at the University of Auckland from 1987–91, where he earned his MMus. He then attended classes in composition with Franco Donatoni at the Accademia Musicale Chigiana in Siena in 1992, on a joint scholarship from the Accademia Musicale Chigiana and Creative New Zealand.

Among his honours are the Senior Bishop Music Scholarship from the University of Auckland (1989), the Fowlds Prize from the University of Auckland (1991), the CANZ Trust Fund Award (1994), menzione d'onore in the competition Luigi Russolo in Varese (1994, for reflexive), First Prize in the competition for choral music Tone Tomšič in Ljubljana (1995, for mirpeace [original version]), a recommended work at the UNESCO International Rostrum of Composers (2001, for silence rained down, quenching time's fire), and Third Prize in the competition of the Prešernov sklad – Prešeren Fund in Ljubljana (2002, for whispered by the perfumed breath of silence). His music has been performed in Australia, Bulgaria, Germany, Hungary, New Zealand, Spain, and the USA.

He is also active in other positions. He served as composer-in-residence to Chamber Music New Zealand in 1995 and as artistic director of the festival Slowind in Slovenia in 2005.

He has lived in Slovenia since 1993.

CONTACT INFORMATION

E-mail address: hall.sorli@siol.net

COMPLETE LIST OF WORKS

ORCHESTRAL:

configuration, 2 small orchestras (4 winds, percussion, 11 strings each), 1991

silence rained down, quenching time's fire, large orchestra (89 players), 1996–97

whispered by the perfumed breath of silence, violin, 12 strings, 1999

flaking the black soft water, 2005–06

lithe sinews of water, small orchestra, 2008

and the wave concealed her, dark mass of great water, flute, ensemble, orchestra, 2009

eye-glitter out of black air 3, flute, oboe, clarinet, French horn, bassoon, orchestra, 2010–11

CHAMBER MUSIC:

branching, clarinet, harp, cello, 1989

union, 2 E-flat clarinets, 2 clarinets, 2 bass clarinets, 1989

composition for solo viola, 1989

evolving music, flute, oboe, clarinet, bassoon, 2 violins, viola, cello, piano, 2 percussion, 1990

from a single point, clarinet, tenor saxophone, viola, cello, piano, 1990

reflexive, alto saxophone, fixed media (2 tracks), 1991

it begins..., E-flat clarinet, 2 clarinets, bass clarinet, violin, 1991

octet: infiltration, flute, oboe, clarinet, bass clarinet, harp, guitar, violin, cello, 1992

the way thoughts transfigure, tenor saxophone, violin, piano, 1992

time's distance, flute, clarinet, French horn, violin, cello, piano, percussion, 1993

kontinuum 1, 4 saxophones, 1993

kontinuum 2, violin, 1993

the way time accumulates, bass clarinet, harp, violin, viola, cello, double bass, percussion, 1993

some points in time, book 1, saxophones (1 player), 1994

beneath the veil of silence, clarinet, alto saxophone, violin, cello, piano, 1994

a splinter of silence in the belly of time, clarinet, string quartet, 1995

six preludes and a postlude, flute, clarinet, violin, cello, piano, percussion, 1995

in the folds of silence 1, 2 flutes, 1996

in the folds of silence 2, 2 violins, 1996

the night recalls each flickering silence, flute, string quartet, 1997–98

darilogift, 2 cellos, 1999

and, out of nothing, a breathing, hot breath on my ankles, flute, 2000

and the sound went up like smoke, 2 amplified vibraphones (4 players), 2000–01

and the snow's lace is spread there like sea foam, flute, clarinet, bass clarinet, bass trombone, cello, double bass, 2001

beasts like shadows in glass, French horn, 2003

ply over ply, thin glitter of water, flute, bass clarinet, harp, violin, cello, 2004

with a sky wet as ocean flowing with liquid slate, 2 flutes, oboe, English horn, clarinet, bass clarinet, bassoon, French horn, harp, violin, viola, cello, double bass, piano, 2004–05

now ivory silence, clarinet, 2007

the shadow eddying fluid, 2 cellos, 2007

the liquid and rushing crystal, flute, oboe, clarinet, bass clarinet, trombone, bass trombone, violin, viola, cello, double bass, percussion, 2008

a furred tail upon nothingness, oboe, 2008

lifeless air become sinewed, bassoon, 2009

the crystal funnel of air 1, soprano saxophone, alto saxophone, 2009

the crystal funnel of air 2, soprano saxophone, alto saxophone, 2009

eye-glitter out of black air 1, flute, oboe, clarinet, French horn, bassoon, 2010

eye-glitter out of black air 2, flute, oboe, clarinet, French horn, bassoon, 2010

there is a wine-red glow in the shallows, flute, clarinet, trombone, harp, violin, viola, cello, 2011

CHORAL:

mir (text from the word "peace" in several languages), mixed chorus, alto saxophone, 1994–95 (also shorter version for mixed chorus, 1994–95)

and saw the waves taking form as crystal (text by Ezra Pound), mixed chorus, 2002–03

PIANO:

throwing the ladder away, 1994

ELECTROACOUSTIC:

we squat, fixed media (4 tracks), 1990