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Hilario, Alan (b. 1967, Manila). Philippine composer, now resident in Germany, of mostly chamber works that have been performed in Asia and throughout Europe.
Mr. Hilario studied violin with Gilopez Kabayao and studied composition with José Maceda at the University of The Philippines in Quezon City from 1985-88. He then studied composition with Mathias Spahlinger and electronic music with Mesias Maiguashca at the Musikhochschule Freiburg/Breisgau from 1992-96, on a scholarship from the Deutscher Akademischer Austauschdienst. He also participated in the workshop at Royaumont in 1996, the Nachwuchsforum of ISCM in Frankfurt/Main in 1997 and the Stage d'Automne at IRCAM in 2000.
Among his honors is the Kompositionspreis of the city of Stuttgart (1997). His music has been performed at various festivals, including once at Darmstadt (2000) and once at Donaueschingen (2002).
He is also active in other positions. He participated in numerous projects with film and theatre directors from 1985-92 and was active as a violinist in the Philippine Philharmonic Orchestra from 1988-92.
He lectured at Darmstadt in 2000.
He has lived in Germany since 1992.
CONTACT INFORMATION
E-mail address: alanhilario@yahoo.com
Street address: Mr. Alan Hilario, Schaffnerstr. 4, D - 89073 Ulm, Germany
Telephone: + 4973 1969 1716
SELECT LIST OF WORKS
CHAMBER MUSIC: ay, flute, clarinet, trombone, cello, piano, percussion, 1993; ang, 2 double basses, 3 percussion, 1994; pakikisama, percussion, ensemble (2 flutes, 2 clarinets, 2 saxophones, 2 trumpets, trombone, tuba, 2 guitars, violin, 3 violas, double bass, piano, celesta, vibraphone), 1995; p'tak(t), viola, cello, double bass, 1996; avec eric, bass flute, alto saxophone, tape, 1997; kibô, violin/viola, 1997; Überentwicklung-Unterentwicklung, bass clarinet, tenor saxophone, bassoon, French horn, trombone, double bass, 1998; katalogos, English horn, bassoon, French horn, trumpet, viola, cello, 3 percussion, 1998; [lo], 2 celli, 2 double basses, 27 metronomes (9 operators, including all of the players), 2000; Mann mit Akkordeon beim Pirouettieren, accordion, 2001
CHORAL: phonautograph, countertenor, 4 female voices, trombone, 4 turntables, live electronics, 2002
MULTIMEDIA: early 70s, three scenes in Brooklyn Street, Cubao, accordion, ensemble (3 bass clarinets, 2 baritone saxophones, 2 trombones, double bass, 3 percussion), super-8 silent films (3 projectors), 1999; kinotheken-pièce, bass clarinet, violin, piano, accordion, film (by the composer), 2003
(Last updated on August 7, 2004)
